“You can’t think about thinking without thinking about thinking about something” – Seymour Papert
I find potentially interesting education provocations everywhere. The remarkable generosity of the world’s finest musical artists performing online during this pandemic have kept me safe and sane. I aspire as an educator to possess their level of talent, wisdom, expertise, focus, humor, commitment, generosity, and love. It is these very virtues that has made jazz musicians such a source of knowledge, wonder, and comfort in my life. One other very special aspect of “the hang” with jazz musicians is the lack of generational barriers within their community of practice. Most people aspiring to be great at what they do welcome opportunities to mentor newbies who express passion for similar pursuits. What makes the performing arts so special is that, as in the Brazilian samba schools, everyone – young and old alike – “dances” together.
So, in between watching regularly scheduled concerts by Peter Martin, Chick Corea, and the Emmet Cohen Trio, I’ve watched great musicians discuss music they love at listening party fundraisers for Jazz House Kids (Friday nights) and Wynton Marsalis’ “Skain’s Domain,” (Monday night) where world-class artists spin yarns and take questions from the audience.
When I think about education, these are three ideals I cling to.
Each of these principles are embodied in the Skain’s Domain Web livestreams (and archives). I highly recommend you watch the one below, even if you do not understand the subject matter, like jazz, or know who the participants are. There is still plenty to learn about learning and teaching.
Back in the 90s, my colleagues and I created online graduate school programs at Pepperdine University. One of my colleagues told students, “This is not a cocktail party! Your online interactions need to be pithy and deliberate.” To make matters worse, she revealed to students that she used a handheld clicker to count their personal interactions.
Upon hearing this, my first reaction was sadness followed by thought that apparently my colleague has never been invited to a good cocktail party. In fact, I set out to use a cocktail party as the metaphor for all of my teaching. I assume that we have gathered for a common purpose. If someone becomes insufferable you can grab another coconut shrimp and participants are surrounded by a plethora of potentially interesting conversations. Social interaction was key to knowledge construction, collaboration and creativity. Worst of all, “measuring/assessing/counting” human interaction had a predictable prophylactic impact on the social cohesion and productivity of the class.
Voila! That’s it! Go ahead and change the world!
Let me know what you learn.
Veteran educator Dr. Gary Stager is co-author of Invent To Learn — Making, Tinkering, and Engineering in the Classroom and the founder of the Constructing Modern Knowledge summer institute. He led professional development in the world’s first 1:1 laptop schools and designed one of the oldest online graduate school programs. Learn more about Gary.